A traditional Japanese woodblock print depicting the historic Sarubashi, or Monkey Bridge, spanning a deep gorge in Yamanashi Prefecture.

This woodblock print depicts the Sarubashi, or Monkey Bridge, a structure located in Otsuki, Yamanashi Prefecture. The bridge spans a deep gorge carved by the Katsura River. The composition employs a vertical orientation to emphasise the height of the cliffs and the depth of the ravine below. A lone figure carrying an umbrella crosses the bridge, providing a sense of scale against the vast natural surroundings. The print belongs to the Meiji period, a time when traditional woodblock techniques continued to document famous sites across Japan. The artist uses a restrained palette, focusing on muted greys for the rock faces and soft greens for the vegetation. The water is rendered with fluid, rhythmic lines that suggest movement through the narrow channel. The inclusion of a cartouche in the upper right corner provides historical context regarding the location, a common feature in series depicting famous views. Technically, the work demonstrates the precision of the woodblock medium. The outlines of the cliffs are defined by firm, deliberate strokes, while the foliage is suggested through layered colour blocks. The perspective is slightly flattened, typical of the Ukiyo-e tradition, which prioritises decorative clarity over strict Western-style realism. The print captures the bridge as a feat of engineering suspended between two sheer rock walls, framed by trees that soften the rugged terrain. This piece offers a view into the topographical interests of late nineteenth-century Japanese printmakers, who sought to record the unique geography of the country for a growing audience of travellers and collectors.