Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Seated Chijang Posal Flanked by the Ten Kings of Hell, Monk Tomyŏng, and Three Officials - Unknown Artist
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed ink on silk drawing depicting the Bodhisattva Ksitigarbha surrounded by the Ten Kings of Hell and other figures from Buddhist tradition.
This ink drawing on silk depicts the Bodhisattva Ksitigarbha, known in Korea as Chijang Posal, as the central figure. Ksitigarbha is recognised for his vow to delay his own enlightenment until all beings in the hell realms are saved. The composition follows a traditional hierarchical arrangement common in Buddhist painting from the Joseon period. The central figure is seated in a meditative posture, surrounded by a retinue that includes the Ten Kings of Hell, the monk Tomyŏng, and the Three Officials who oversee the records of the deceased. The line work is precise and controlled, demonstrating the technical skill required for religious scroll painting. The figures are rendered with consistent facial features and formalised robes, which creates a sense of order and solemnity. The use of ink on silk allows for subtle variations in tone, providing depth to the drapery and the expressions of the figures without the need for heavy pigmentation. The clouds at the base of the composition provide a grounding element, separating the celestial assembly from the earthly realm. Such works were often produced for temple rituals or as votive offerings. They functioned as visual aids for practitioners to contemplate the afterlife and the compassionate nature of the Bodhisattva. The iconography is specific, with each figure holding attributes that identify their role in the judicial process of the underworld. This drawing serves as a clear example of the formalised aesthetic that governed religious art during this era, prioritising clarity of subject and adherence to established iconographic canons over individual artistic expression.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Seated Chijang Posal Flanked by the Ten Kings of Hell, Monk Tomyŏng, and Three Officials - Unknown Artist
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From $189
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From $59
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From $175
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Unknown Artist
Anonymity in art often stems from the loss of historical records rather than a choice by the creator. In 19th-century Morocco, early photography was frequently practised by visiting practitioners or local studios whose names were not always recorded on the final prints. Works by an Unknown Artist in this collection include Moroccan studio portraits and Japanese woodblock prints depicting the Battle of Pyongyang. These pieces illustrate how anonymous artists documented global events and personal identities across different continents during the same era.
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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