Self-Portrait as an Invalid - Ernst Ludwig Kirchner
Archival giclée
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Description
Ernst Ludwig Kirchner's "Self-Portrait as an Invalid", painted in 1917, is a powerful Expressionist portrait reflecting the artist's mental and physical struggles during his convalescence after military service in World War I.
Painted in 1917, Ernst Ludwig Kirchner's "Self-Portrait as an Invalid" is a raw and unflinching depiction of the artist during a period of immense personal and physical struggle. Kirchner, a central figure in the German Expressionist movement, volunteered for military service during World War I, but suffered a mental breakdown and was discharged. This painting reflects his fragile state, both mentally and physically, during his convalescence in Switzerland. The painting shows Kirchner in a blue dressing gown, seated in what appears to be a sanatorium. His face is gaunt and his skin has a sickly green pallor. His eyes are wide and seem to stare blankly ahead, conveying a sense of detachment and inner turmoil. Behind him, a red figure, possibly representing a fellow patient or an alter ego, adds to the unsettling atmosphere. The background is composed of jarring colours and angular shapes, typical of Expressionist art, which further amplify the sense of unease and disorientation. The painting is not merely a physical likeness; it is a psychological portrait of a man grappling with trauma and isolation.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Self-Portrait as an Invalid - Ernst Ludwig Kirchner
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Ernst Ludwig Kirchner
Kirchner's art is characterised by its emotional intensity and deliberately crude style. He wasn't interested in pretty pictures; he wanted to expose the psychological truths beneath the surface. Works like 'Girl with Cat (Franzi)' and 'The Café' capture the alienation and unease of urban life, with their jagged lines and clashing colours reflecting the inner turmoil of his subjects. His nudes, such as 'Reclining Nude (Isabella)', possess a raw sensuality, far removed from classical ideals of beauty.
Today, Kirchner's art resonates with collectors who appreciate its unflinching honesty and powerful emotional impact. His willingness to confront the darker aspects of the human condition paved the way for future generations of artists. Owning a Kirchner print is not just about possessing a beautiful object; it's about engaging with a vital and enduring expression of the modern human experience.
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