A self-portrait by Belgian artist Georges Lemmen, rendered in the pointillist style of Neo-Impressionism. The artwork features a mosaic-like application of colour, capturing the artist's likeness with a focused gaze and quiet intensity.

This self-portrait by Georges Lemmen offers a glimpse into the artist's persona and his engagement with Neo-Impressionist techniques. Lemmen, a Belgian painter, was a member of Les XX, a group of avant-garde artists. The painting is executed in the pointillist style, characterised by small, distinct dots of colour applied in patterns to form an image. This method, pioneered by Georges Seurat and Paul Signac, aimed to achieve a greater degree of luminosity and colour mixing through optical blending. Lemmen depicts himself with a focused gaze, his features rendered with careful attention to the play of light and shadow. The colour palette consists of blues, purples, greens, and yellows, applied in a mosaic-like fashion. The background is a field of densely packed dots, creating a textured surface that contrasts with the smoother areas of the face and clothing. The overall effect is one of quiet intensity, reflecting the artist's introspective nature and his dedication to the principles of Neo-Impressionism. The portrait provides insight into the artistic milieu of the late 19th century and Lemmen's contribution to the development of modern art.