A striking self-portrait by Vincent van Gogh, painted in Paris in 1887, demonstrating his mastery of colour and rhythmic brushwork.

Painted during his time in Paris, this self-portrait captures the artist at a period of rapid stylistic development. Van Gogh arrived in the French capital in 1886, where he encountered the work of the Impressionists and Neo-Impressionists. This exposure prompted a shift away from the darker, earth-toned palette of his earlier Dutch period toward a brighter, more experimental approach to colour. The composition is defined by the application of paint in short, rhythmic strokes. These marks create a sense of movement across the canvas, particularly in the background, which is composed of a dense field of blue and green dots. This technique, influenced by the pointillist experiments of his contemporaries, contrasts with the more structured, directional brushwork used to define the contours of his face and the texture of his jacket. Van Gogh’s gaze is direct and contemplative. The colour palette is carefully balanced, with the warm, reddish tones of his beard and hair providing a visual counterpoint to the cool, deep blues of the background. The jacket is rendered in a complex weave of dark pigments, suggesting a depth of texture that anchors the figure within the frame. This work provides a clear view into his technical process, showing how he utilised colour theory and systematic mark-making to construct form. It remains a primary example of his ability to synthesise external artistic influences with his own internal vision, resulting in a portrait that is both a study of light and a record of his personal appearance during his most formative years in France.