A portrait of fellow artist Arthur Streeton, painted by Tom Roberts in 1891. This work captures the subject in profile with a loose, impressionistic style.

This portrait depicts Arthur Streeton, a fellow artist and close friend of Tom Roberts. Painted in 1891, the work captures Streeton at the age of twenty-four. Roberts employs a profile view, a technique that draws attention to the subject's facial structure and contemplative expression. The sitter is rendered with soft, painterly brushwork, characteristic of the Heidelberg School, which sought to capture the specific light and atmosphere of the Australian environment.

The background is divided into two distinct colour fields: a muted, vertical-stroked green on the left and a warm, earthy red on the right. This contrast frames the subject, directing the viewer's eye toward the profile. Streeton wears a light-coloured jacket, which provides a neutral base against the more saturated tones of the background. The paint application is fluid, showing the artist's focus on capturing a spontaneous, immediate impression of his friend rather than a rigid, formal likeness.

Arthur Streeton, often nicknamed 'Smike' by his peers, was a central figure in the development of Australian impressionism. This portrait serves as a personal record of the camaraderie shared between the artists of the period. Roberts, who had returned to Australia from Europe in 1885, brought with him techniques learned from the plein-air painters of France. These influences are visible in the loose handling of paint and the focus on natural light. The work remains a clear example of the portraiture produced by the Heidelberg School, reflecting the close-knit community of artists who worked together at camps around Melbourne. The painting is currently held in the collection of the National Gallery of Australia, where it is recognised for its historical connection to the development of a distinct national art style.