Stars 5 Pointed - Sol LeWitt
Archival giclée
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Description
A geometric screenprint by Sol LeWitt, featuring a grid of five-pointed stars and solid colour blocks that explore seriality and chromatic relationships.
Sol LeWitt, a figure associated with the development of Conceptual art and Minimalism, produced this work as part of his systematic exploration of geometric forms. The composition is organised into a grid, a structure LeWitt frequently employed to remove subjective decision-making from the creative process. By using a rigid framework, he allowed the interaction of colour and shape to dictate the visual outcome. This piece features a series of five-pointed stars, each contained within a square cell. The repetition of the star motif across the grid creates a rhythmic visual experience. LeWitt often utilised sets of instructions or predetermined rules to generate his works, prioritising the idea behind the art over the physical execution. The variations in colour within the grid demonstrate his interest in how chromatic relationships alter the perception of a static form. Some cells contain the star motif, while others are rendered as solid blocks of colour, introducing a sense of variation within the mathematical order. The print reflects the artist's focus on seriality and the reduction of art to its basic components. By stripping away representational imagery, LeWitt invites the viewer to engage with the mechanics of the composition itself. The screenprint medium provides a flat, uniform application of ink, which aligns with the objective nature of his practice. This work is an example of his later explorations into colour and form, where he moved away from the stark black and white aesthetic of his earlier career to embrace a broader palette. The resulting image is a study in balance, order, and the potential for infinite variation within a closed system.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Stars 5 Pointed - Sol LeWitt
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Sol LeWitt
He was born in Hartford, Connecticut, in 1928, to Russian Jewish immigrant parents. His father died when he was six. He drew on wrapping paper from his aunt's shop and took art classes at the Wadsworth Atheneum. He served in the Korean War, then settled in New York.
From 1968, he created over a thousand numbered wall drawings. He conceived them as musical scores that anyone could execute: a set of written instructions, carried out by other people, with the physical drawing destroyed after each exhibition. The idea, he argued, was the machine that makes the art. The execution was secondary. He championed and financially supported women artists who were being sidelined by the male-dominated art world. He refused to participate in celebrity culture and remained deliberately private. He died in 2007.
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