A detailed 1622 anatomical etching by Frans van den Wijngaerde, featuring a series of studies of the human ear based on the work of Jusepe de Ribera.

This etching, executed by Frans van den Wijngaerde in 1622, presents a series of anatomical studies focusing on the human ear. The work is based on the original designs of Jusepe de Ribera, a Spanish painter and printmaker whose influence on seventeenth-century European art was considerable. The composition is organised as a pedagogical sheet, a common format for artists of the period to demonstrate mastery of specific anatomical features. Each ear is rendered with varying degrees of finish, ranging from simple outlines to more complex, shaded forms that suggest volume and texture. The artist employs a variety of hatching techniques to define the cartilage and the surrounding hair, creating a sense of depth despite the two-dimensional nature of the print. The inclusion of the monogram and the date 1622 provides a clear historical anchor for the work, placing it within the context of early seventeenth-century print culture in the Low Countries. Such sheets were often used as models for students or as reference material for painters working on larger compositions. The focus on the ear, a notoriously difficult feature to capture with anatomical accuracy, demonstrates the rigour expected of artists during this era. The print captures the transition between the linear clarity of the Renaissance and the more dramatic, chiaroscuro-influenced style of the Baroque. By isolating these features, the artist invites the viewer to appreciate the mechanics of human form, stripped of the narrative context found in traditional portraiture. The work remains a clear example of the technical skill required in the production of reproductive prints, where the goal was to translate the observational precision of the master into a format accessible to a wider audience of practitioners and collectors.