A dynamic, abstract composition by Cy Twombly, featuring explosive, gestural brushwork in yellow and crimson against a pale ground.

Summer Madness (1990) captures the characteristic energy of Cy Twombly, an artist known for his gestural approach to the canvas. This work features a central cluster of explosive, impasto-heavy marks that suggest floral forms or botanical decay. The application of paint is aggressive and immediate, with thick layers of yellow, crimson, and deep violet colliding against a stark, pale background. Twombly often integrated written elements into his compositions, and here, faint, scrawled graphite notations hover in the upper portion of the frame. These marks function as a visual counterpoint to the physical weight of the paint below, bridging the gap between drawing and painting. Twombly spent much of his career in Italy, and his work frequently draws upon classical mythology and the Mediterranean environment. The title, Summer Madness, evokes the heat and intensity of the season, a theme reflected in the chaotic, sun-drenched palette. The composition avoids traditional structure, instead relying on the raw movement of the brush and the physical presence of the medium. The contrast between the dense, textured centre and the empty, negative space surrounding it creates a sense of suspension. This piece demonstrates the artist's ability to balance controlled chaos with delicate, almost fragile, calligraphic lines. It is an example of his later period, where the scale and intensity of his colour usage became more pronounced. The work invites the viewer to engage with the physical surface of the canvas, observing the way paint is dragged, layered, and scraped to create a sense of urgency and temporal flux.