A striking 1916 lithograph by Ernst Ludwig Kirchner, featuring a train moving through the Taunus region with the bold, angular lines of German Expressionism.

This lithograph by Ernst Ludwig Kirchner, titled Taunus Landscape, appeared in the sixth issue of the periodical Der Bildermann in 1916. Kirchner, a founding member of the Die Brücke group, produced this work during a period of significant personal and artistic transition. The print captures a view of the Taunus region, rendered with the jagged, energetic lines characteristic of his graphic output during the First World War. The composition is dominated by a sense of movement, as a train curves through the foreground, its smoke rising to meet the turbulent sky. Kirchner employs a stark, high-contrast aesthetic, using bold black ink to define the forms of the hills and the mechanical structure of the locomotive. The trees and terrain are not depicted with photographic precision; rather, they are abstracted into rhythmic, angular shapes that convey the artist's subjective experience of the environment. The heavy, expressive mark-making reflects the urgency and emotional intensity often associated with German Expressionist printmaking. Der Bildermann was a short-lived publication that sought to bring contemporary art to a wider audience through affordable lithographic prints. Kirchner's contribution demonstrates his ability to translate his painterly concerns into the medium of lithography. The work avoids decorative detail, focusing instead on the raw energy of the scene. The interplay between the natural forms of the mountains and the industrial presence of the train creates a tension that is typical of Kirchner's work from this era. This print offers a direct look at the artist's graphic style, where the physical act of drawing on the stone remains visible in every stroke. It is a clear example of the Expressionist approach to capturing the spirit of a place through simplified, forceful forms.