A narrative panel by Luca Signorelli depicting the Last Supper, the Agony in the Garden, and the Flagellation of Christ.

This work by Luca Signorelli is a narrative panel, likely part of a predella, which presents three distinct episodes from the Passion of Christ in a continuous horizontal format. The composition begins on the left with the Last Supper, where the figures are arranged around a U-shaped table. The central section depicts the Agony in the Garden, showing Christ kneeling in prayer while his disciples sleep nearby, with the approaching soldiers visible in the distance. The final section on the right portrays the Flagellation, where Christ is bound to a column while being observed by a seated figure in classical attire.

Signorelli is recognised for his focus on the human form and his ability to convey physical tension. The figures in this panel demonstrate his interest in anatomical structure and movement, a quality that influenced later artists of the Italian Renaissance. The colour palette is restrained, relying on earth tones and primary colours to define the figures against the landscape and architectural settings. The spatial organisation is typical of late fifteenth-century Italian painting, using a linear progression to guide the viewer through the sequence of events. The work reflects the artist's training in the Tuscan tradition, prioritising clarity of form and narrative legibility. The figures are rendered with a firm outline, and the lighting is used to model the musculature and drapery, providing a sense of volume to the scenes. This panel provides a clear example of the narrative techniques employed in devotional art during this period, where multiple moments of a story are compressed into a single visual field to aid contemplation.