A satirical 1808 etching by Thomas Rowlandson depicting Napoleon Bonaparte as a nursemaid to the deposed Spanish royal family.

Published on 12 July 1808 by Thomas Tegg, this etching provides a biting commentary on the Napoleonic intervention in the Spanish throne. The print depicts Napoleon Bonaparte in the role of a nursemaid, attempting to pacify the deposed Spanish royals. He holds two infants, labelled Antonio and Carlos, while the Prince of Asturias and the elderly Spanish monarchs occupy nearby cradles. The scene mocks the French emperor's claims of benevolence toward the Spanish royal family, whom he had effectively ousted to install his brother, Joseph Bonaparte, on the throne. Thomas Rowlandson, a prolific illustrator and caricaturist, collaborated here with George Moutard Woodward, who provided the design. The visual language relies on the conventions of Georgian political satire: exaggerated facial features, clear labelling of figures to ensure the viewer understands the political allegory, and a direct, unadorned composition. Napoleon is shown in his military uniform, yet his posture is absurdly domestic, creating a jarring contrast that emphasises the hypocrisy of his political manoeuvres. The speech bubble, where he promises the return of crowns while admitting he does not know when, captures the cynical nature of the diplomatic situation of the time. This work is a characteristic example of the British satirical tradition during the Napoleonic Wars. Such prints were widely circulated in London, serving as both entertainment and a means of shaping public opinion against French expansionism. The hand-applied colour adds a layer of clarity to the figures, ensuring the political message remains legible. The print remains a primary source for understanding the domestic reception of international conflicts in the early nineteenth century, reflecting the anxieties and attitudes of the British public toward the shifting power dynamics in Europe.