A classical history painting by Sebastien Bourdon depicting the biblical discovery of the infant Moses by Pharaoh's daughter.

Sebastien Bourdon, a French painter active during the seventeenth century, produced this depiction of the biblical narrative concerning the discovery of the infant Moses. The composition follows the classical tradition, prioritising a balanced arrangement of figures set against a structured, architectural backdrop. The scene captures the moment Pharaoh's daughter and her attendants encounter the basket containing the child near the riverbank. Bourdon employs a palette of primary colours, notably the deep red of the kneeling attendant's garment and the golden yellow worn by the princess. These figures are rendered with a focus on sculptural form, reflecting the influence of Poussin and the Roman school on Bourdon's practice. The lighting is even, avoiding the dramatic chiaroscuro often associated with the wider Baroque period, opting instead for a clarity that defines the spatial relationships between the foreground figures and the distant, classical city architecture. The background features a calm body of water, reflecting the sky and the surrounding structures. This inclusion of an idealised cityscape provides a sense of scale and historical context to the narrative. The figures are arranged in a frieze-like manner, a common technique in seventeenth-century history painting to ensure the legibility of the story. The attention to the drapery of the garments and the precise positioning of the hands and gazes directs the viewer's eye across the canvas, from the discovery of the infant on the left to the reaction of the royal party on the right. This work demonstrates Bourdon's ability to synthesise classical order with narrative clarity, a hallmark of his mature style developed during his time in Rome and subsequent return to France.