A detailed seventeenth-century engraving by Paulus Pontius after Peter Paul Rubens, depicting the dramatic classical narrative of Queen Tomyris.

This engraving by Paulus Pontius depicts the classical narrative of Queen Tomyris of the Massagetae, who exacts vengeance upon Cyrus the Great. The composition is based on a painting by Peter Paul Rubens, demonstrating the close collaboration between the master painter and his preferred engraver. Pontius was highly regarded for his ability to translate the painterly qualities of Rubens into the precise medium of copperplate engraving.

The scene captures the moment the severed head of Cyrus is submerged into a vessel of blood, a symbolic act of retribution for the death of the Queen's son. Pontius employs a sophisticated system of hatching and cross-hatching to render the textures of the drapery, the metallic sheen of the soldiers' armour, and the varied skin tones of the figures. The architectural setting, featuring classical columns and heavy curtains, provides a theatrical backdrop that directs the viewer's attention toward the central action.

As a printmaker, Pontius maintained a high degree of fidelity to the original composition while introducing his own technical refinements. The work reflects the dramatic tension characteristic of the Flemish Baroque period. The figures are arranged with a sense of movement and emotional weight, typical of the Rubensian style. This print serves as a fine example of the reproductive print culture that allowed the compositions of major artists to circulate across Europe during the seventeenth century. The clarity of the line work and the balanced distribution of light and shadow demonstrate the technical proficiency required to produce such high-quality reproductions in the period.