The Liberation of Saint Peter - Luca Giordano
Archival giclée
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Description
Luca Giordano's "The Liberation of Saint Peter" captures the biblical scene of Saint Peter's miraculous escape from prison, showcasing the artist's Baroque style with dramatic lighting and dynamic figures.
Luca Giordano's "The Liberation of Saint Peter" depicts a scene from the Acts of the Apostles, where an angel miraculously frees Saint Peter from prison. The painting is characterised by its dramatic composition and dynamic figures, typical of the Baroque style. Giordano, a prolific Neapolitan painter, was known for his speed and ability to imitate various artistic styles, earning him the nickname "Luca fa presto" (Luca paints quickly). His work often features vibrant colours, theatrical lighting, and energetic brushwork. In this painting, the angel is the centre of attention, radiating light and energy as he guides Saint Peter, while the sleeping guards are scattered around them. The artist's use of chiaroscuro, the contrast between light and dark, adds to the drama of the scene, heightening the sense of divine intervention. The figures are rendered with a sense of realism, their expressions and poses conveying a range of emotions from peaceful slumber to divine purpose. Giordano's skill in depicting the human form and his mastery of colour make this work a compelling example of Baroque art.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Liberation of Saint Peter - Luca Giordano
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Luca Giordano
He was born in Naples in 1634 and trained under Jusepe de Ribera. Around 1652 he travelled to Rome, where he absorbed Pietro da Cortona's Baroque dynamism and studied the High Renaissance masters. His other nickname, Proteus, came from his ability to produce convincing pastiches in the style of almost any painter: Durer, Titian, Veronese. The skill was admired rather than criticised; versatility was a virtue in Baroque Naples.
In 1692, Charles II of Spain invited him to Madrid, where he spent ten years painting frescoes in the Escorial, the Royal Palace and other buildings. His Spanish work is among his best: the scale suited his ambition, and the court demanded the gold brush. He returned to Naples in 1702 after the king's death.
His late paintings, lighter and less rhetorical than his Roman-influenced middle period, anticipated the Rococo. Fragonard admired them a generation later. Giordano was generous with money, particularly to poorer artists, and spent large sums on acts of patronage and charity. His output was enormous, running to thousands of works across oil and fresco. He died in Naples in 1705, at seventy.
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