A 1882 oil painting by Swiss artist Albert Anker depicting two young girls focused on their knitting. The work is a study of childhood concentration and domestic life.

Albert Anker was a Swiss painter who specialised in scenes of 19th-century rural life. He is often called the national painter of Switzerland due to his depictions of village society. This work, completed in 1882, features two young girls engaged in the task of knitting. Anker frequently used his own children or local residents from the village of Ins as models for his compositions. The painting focuses on the quiet concentration of the subjects. The older girl, dressed in a blue polka-dot garment, guides the needles while the younger child watches with curiosity. Anker avoids the overly sentimental tone found in many contemporary genre works. He instead presents a factual account of childhood education and domestic duty. The dark background serves to isolate the figures, making their interaction the primary subject of the piece. The colour palette is restrained, dominated by earth tones and the deep blue of the girl's dress. The younger girl has bright red hair which provides a point of contrast against the dark surroundings. Her hand rests near her mouth in a gesture of contemplation. The older girl's hands are positioned with the confidence of someone learning a craft. Every stitch in the white fabric is visible, demonstrating Anker's precision. Anker's technical skill is evident in the rendering of different materials. The woollen yarn, the cotton fabrics, and the wooden chair are all painted with careful attention to their physical properties. The lighting is directed to define the forms of the children's faces and hands. This approach reflects his academic training in Paris under Charles Gleyre. During the late 19th century, knitting was a standard part of a girl's schooling in rural Europe. Anker captures this social reality without artifice. The painting is a study of focus and the transmission of skills between generations.