A seminal 1944 work by Arshile Gorky, blending biomorphic abstraction with fluid, calligraphic lines and a muted, earthy palette.

Painted in 1944, The Liver is the Cock's Comb is a major work by Arshile Gorky. It occupies a position between the biomorphic abstraction of European Surrealism and the gestural freedom of the emerging New York School. The composition features a complex arrangement of fluid, organic shapes that suggest anatomical or botanical forms without explicitly representing them. Gorky employs thin, calligraphic lines to define these shapes, which float against a muted, earthy background. The palette includes areas of saturated red, yellow, and blue, which provide contrast to the more neutral tones of the canvas. This work reflects Gorky's interest in memory and personal history. The title itself is enigmatic, often interpreted as a reference to the artist's Armenian heritage and the visceral nature of his creative process. The forms appear to shift and merge, creating a sense of movement across the surface. Unlike the rigid structures of earlier geometric abstraction, this painting relies on a loose, intuitive application of paint. Gorky's technique involves layering thin washes of colour, allowing the underlying canvas to remain visible in certain areas. This approach creates a sense of depth that is not dependent on traditional perspective. The painting is widely regarded as a bridge between the European avant-garde and the American artists who would later define the mid-century period. It remains a primary example of Gorky's ability to synthesise disparate influences into a singular, personal visual language.