A satirical etching by Thomas Rowlandson from 1785, critiquing British political figures and the loss of colonial territories.

Thomas Rowlandson, a prolific British caricaturist, produced this etching in 1785. The work functions as a biting political commentary on the state of British affairs following the American War of Independence. The composition features two figures, representing competing political interests, who are depicted in a state of theatrical confrontation. Rowlandson employs his characteristic fluid line work to define the figures, using minimal shading to maintain the clarity required for mass-produced satirical prints of the period. The title, a play on words, references the perceived loss of colonial territories and the internal political instability of the era. The text included within the print, such as the cynical remark 'every Man has his Price', reflects the pervasive distrust of political figures during the late eighteenth century. The figures are rendered with exaggerated features, a hallmark of Rowlandson's style, which served to mock the vanity and hypocrisy of the political class. The inclusion of speech bubbles and descriptive verses at the base of the print provides context for the viewer, framing the scene as a critique of failed diplomacy and opportunistic rhetoric. This print belongs to a tradition of Georgian graphic satire, where artists used the medium to engage with current events and public opinion. Rowlandson's ability to capture the absurdity of political posturing remains evident in the dynamic poses and expressive gestures of the subjects. The work is printed on paper, typical of the period's commercial output, and demonstrates the technical proficiency of the artist in combining etching with engraved text. It offers a glimpse into the social and political anxieties of 1780s Britain, capturing the cynicism that defined the public discourse of the time.