The Misfortunes of Silenus - Piero di Cosimo
Archival giclée
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Description
Piero di Cosimo's 'The Misfortunes of Silenus' captures a chaotic scene from classical mythology, depicting the drunken Silenus surrounded by revelers in a woodland setting. The painting exemplifies the artist's detailed style and interest in classical themes.
Piero di Cosimo's painting, 'The Misfortunes of Silenus', presents a scene of bacchanalian revelry gone awry. Painted around 1500, the work depicts Silenus, a companion of Dionysus (Bacchus), in a state of inebriation and disarray. The composition is filled with figures, both human and mythical, engaged in various activities, some playful, others more chaotic. The setting appears to be a woodland, with a light, airy sky in the background. The figures are rendered with a degree of naturalism, their poses and expressions conveying a sense of movement and emotion. The painting is characterised by its detailed rendering of human anatomy and its use of colour to create depth and atmosphere. The artist's interest in classical mythology is evident in the subject matter and the overall style of the work. The narrative is complex, inviting viewers to interpret the relationships between the figures and the events unfolding. The painting reflects the Early Renaissance interest in classical themes and humanist values, while also displaying a unique artistic sensibility.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Misfortunes of Silenus - Piero di Cosimo
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Piero di Cosimo
He was born in Florence around 1462, took the name di Cosimo from his master Cosimo Rosselli, and by 1480 was working as an unpaid apprentice in Rosselli's workshop. He operated outside the official artistic circles of Florentine Renaissance painting, borrowing freely from Leonardo, Signorelli and Netherlandish artists without belonging to any school.
His mythological paintings, many based on Vitruvius's account of human evolution, are filled with hybrid creatures, fantastic landscapes and strange revels. He also painted portraits, including the posthumous bust of Simonetta Vespucci (c. 1480), and excelled at designing pageants and triumphal processions for Florentine festivals. He could discern equestrian battles and urban scenes in the stains on a wall, a habit Leonardo also described. He died in Florence in 1521.
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