A seminal work of the Nabis movement, this 1893 painting by Maurice Denis features a rhythmic, decorative arrangement of figures within a wooded setting.

Maurice Denis painted The Muses in 1893, a period when he was deeply involved with the Nabis group in Paris. This work demonstrates his interest in decorative flatness and the synthesis of form. The composition features a group of women in a wooded setting, their figures arranged with a rhythmic, almost musical quality. Denis rejected the traditional perspective of the academy, opting instead for a flattened pictorial space where the figures and the trees exist on a similar plane. The colour palette relies on muted earth tones, ochres, and deep greens, which unify the figures with their environment. The women are depicted in contemporary dress, yet their poses and the dreamlike atmosphere suggest a classical or mythological subject. Denis often sought to express subjective emotions through simplified shapes and decorative patterns, a philosophy he articulated in his writings on art theory. The repetition of the vertical tree trunks creates a structure that balances the softer, curved lines of the seated figures. This painting reflects the Nabis interest in the decorative arts and the idea that a picture is essentially a flat surface covered with colours assembled in a certain order. By removing the illusion of depth, Denis draws attention to the surface of the canvas itself. The figures appear lost in contemplation or quiet conversation, contributing to the meditative quality of the scene. The work remains a primary example of how Denis integrated his personal spiritual and aesthetic concerns into a cohesive visual language, moving away from the direct observation of nature toward a more symbolic and decorative approach.