A serene colour lithograph by Maurice Denis depicting the biblical supper at Emmaus, characterised by flattened forms and a soft, decorative palette.

Maurice Denis, a founding member of the Nabis group, produced this colour lithograph in 1895. The work depicts the biblical narrative of the supper at Emmaus, where two disciples recognise the resurrected Christ during the breaking of bread. Denis employs a flattened pictorial space, a hallmark of his approach to composition, which prioritises decorative harmony over traditional perspective. The figures are rendered with simplified forms and soft, muted tones, creating a sense of quiet contemplation. Through the window, a landscape bathed in warm, golden light provides a contrast to the cooler, subdued interior. The scene is structured by clear, rhythmic lines and a balanced arrangement of figures. Two women stand to the left, while the central figure of Christ sits at a table with two disciples. The floor pattern adds a geometric element that anchors the composition. Denis was known for his belief that a painting, before being a war horse or a nude, is essentially a flat surface covered with colours assembled in a certain order. This philosophy is evident here, as the image functions as a cohesive decorative unit rather than a window into a three-dimensional world. This print reflects the Nabis interest in Japanese woodblock prints, particularly in the use of bold outlines and large areas of flat colour. The work avoids excessive detail, focusing instead on the emotional and spiritual resonance of the moment. The soft palette of ochre, sage green, and cream contributes to the serene atmosphere. As a lithograph, the piece demonstrates the artist's technical skill in layering colours to achieve subtle tonal shifts. It remains a representative example of the Symbolist aesthetic that defined much of Denis's career, where religious themes were interpreted through a modern, decorative lens.