The Raising of Lazarus - Urs Graf
Archival giclée
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Description
A detailed woodcut by Urs Graf depicting the biblical miracle of the raising of Lazarus, featuring hand-coloured elements and sixteenth-century narrative style.
This woodcut, attributed to the Swiss artist Urs Graf, depicts the biblical narrative of the raising of Lazarus. The composition employs a continuous narrative technique, common in early sixteenth-century printmaking, where multiple stages of the story appear within a single frame. In the foreground, Christ performs the miracle, gesturing towards Lazarus, who emerges from a tomb marked with his name. The surrounding figures, including the sisters of Lazarus, observe the event with varied expressions of astonishment and reverence. In the background, the artist includes architectural elements representing Jerusalem and Bethany, providing a sense of geographical context. The use of hand-colouring adds a layer of visual information to the stark black lines of the woodblock, defining the figures and the surrounding foliage. Graf, known for his work as a goldsmith and printmaker, brings a sharp, graphic quality to the figures. The lines are precise, reflecting the technical demands of woodcut production during this period. The figures are dressed in contemporary sixteenth-century attire, a common practice in Northern Renaissance art to make biblical events accessible to the viewer. This print demonstrates the stylistic characteristics of the period, including a crowded composition and a focus on narrative clarity. The spatial arrangement is somewhat flattened, with the background elements stacked above the foreground scene rather than receding through linear perspective. This approach allows the artist to pack a significant amount of detail into a relatively small space. The work provides insight into the visual culture of the Swiss Reformation era, where such prints were produced for both devotional and educational purposes. The hand-applied colours, while simple, help to distinguish the various groups of people and the architectural structures, guiding the eye across the complex scene.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Raising of Lazarus - Urs Graf
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Urs Graf
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