A sombre and atmospheric depiction of the biblical resurrection, painted by Henry Ossawa Tanner in 1896.

Painted in 1896, The Resurrection of Lazarus represents a significant moment in the career of Henry Ossawa Tanner. Following his move to Paris, Tanner shifted his focus toward biblical subjects, moving away from the genre scenes of his earlier American period. This work earned him a medal at the Paris Salon, establishing his reputation within the European art community.

The composition centres on the miraculous moment of Lazarus rising from the grave. Tanner employs a restricted, earthy palette dominated by deep browns, ochres, and muted whites. The lighting is theatrical, drawing the viewer's eye toward the central figure of Christ and the emerging Lazarus. Shadows obscure the periphery, creating a sense of intimacy and mystery within the tomb. The figures are rendered with loose, expressive brushwork, prioritising emotional weight over precise anatomical detail.

Tanner travelled to the Middle East to study the settings and people of the Holy Land, which informed the authenticity of the costumes and the atmosphere of his religious works. The painting avoids the overly sentimental or academic style common to late nineteenth-century religious art. Instead, it relies on a sombre, quiet intensity to convey the gravity of the event. The interaction between the figures is restrained, focusing on the collective awe of the witnesses rather than dramatic gestures. This piece remains a primary example of Tanner's ability to blend traditional subject matter with a modern, atmospheric approach to light and shadow.