The Spirit of the Dead Watches - Paul Gauguin
Archival giclée
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Description
Paul Gauguin's 'The Spirit of the Dead Watches' (1892) depicts a Tahitian girl in a state of unease, watched over by a spirit of the dead, rendered in muted tones and expressive brushwork.
Paul Gauguin's 1892 oil on canvas, 'The Spirit of the Dead Watches' ('Manao tupapau'), presents a reclining Tahitian girl on a bed, her pose inspired by Manet's 'Olympia'. Gauguin, however, infuses the scene with a sense of unease and the supernatural. The girl's wide eyes and tense posture suggest fear, while an ominous figure stands watch in the background. This figure represents the 'tupapau', or spirit of the dead, a common element in Tahitian folklore. The painting's colour palette is dominated by muted purples, yellows, and browns, contributing to the overall atmosphere of apprehension. The bed is adorned with a floral pattern, a decorative element that contrasts with the unsettling subject matter. Gauguin's brushwork is loose and expressive, adding to the painting's emotional intensity. 'The Spirit of the Dead Watches' is a complex work that explores themes of colonialism, sexuality, and the fear of the unknown. It reflects Gauguin's fascination with Tahitian culture and his attempts to capture its essence in his art.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Spirit of the Dead Watches - Paul Gauguin
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gauguin
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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