A dramatic woodcut by Titian depicting the chaos of the Egyptian army in the Red Sea, characterised by precise hatching and intense movement.

This woodcut, attributed to the Venetian master Titian, depicts the dramatic biblical narrative of the Egyptian army drowning in the Red Sea. The composition is part of a larger, multi-block print project that demonstrates the artist's interest in monumental scale and dynamic movement. The scene captures the chaos of the event, with horses and soldiers struggling against the turbulent waters. The print relies on a sophisticated system of hatching and cross-hatching to define form and suggest the movement of the waves. Titian employs a high degree of anatomical detail, particularly in the figures of the drowning men and the panicked horses. The perspective is compressed, forcing the viewer to focus on the immediate struggle rather than the surrounding environment. This approach creates a sense of urgency and physical intensity that is characteristic of the artist's work during this period. Technically, the woodcut is a testament to the collaborative efforts between the artist and the professional woodcutter, likely Domenico dalle Greche. The lines are precise, allowing for a clear distinction between the organic forms of the figures and the rhythmic, flowing patterns of the water. The work reflects the broader Venetian interest in narrative clarity and emotional expression. By focusing on the physical plight of the figures, the print conveys the gravity of the biblical account without relying on static iconography. It remains a significant example of sixteenth-century printmaking, showing how complex painterly ideas were translated into the medium of the woodblock. The print is often studied for its influence on later artists who sought to capture large-scale historical events in graphic form.