A Meiji-period woodblock print by Tsukioka Yoshitoshi, depicting a woman in a traditional setting with a modern photographic reference.

This woodblock print by Tsukioka Yoshitoshi belongs to the series 'Twenty-Four Hours at Shinbashi and Yanagibashi', produced in 1880. The series captures the daily routines of geisha working in the entertainment districts of Tokyo during the Meiji period. This specific sheet depicts the hour of noon, represented by a woman seated in a chair, a piece of furniture that reflects the increasing Western influence on Japanese domestic life at the time. The composition is divided into two distinct sections. The lower portion features a portrait of a woman, her hair styled in a traditional manner, wearing a dark kimono with a patterned collar. She sits beside a small table covered with a patterned cloth, upon which rests a potted plant. The background is a flat, saturated red, which creates a strong contrast with the figure. The upper section contains a cartouche with text and a small illustration of a photographer using a camera under a cloth, a direct reference to the technological changes occurring in Japan during the late nineteenth century. Yoshitoshi is recognised for his ability to blend traditional ukiyo-e techniques with a modern sensibility. His work often documents the transition of Japanese society as it adopted new customs and technologies. The print demonstrates his skill in line work and his use of colour to define space and mood. The inclusion of the photographer in the inset panel provides a narrative layer, suggesting the intersection of traditional entertainment and modern observation. The print is a fine example of the Meiji-era aesthetic, where the preservation of classical forms met the curiosity of a rapidly changing world.