Two Cut Sunflowers - Vincent van Gogh
Archival giclée
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Description
A detailed study of two wilting sunflowers against a blue background, painted by Vincent van Gogh in 1887.
Painted in Paris during the summer of 1887, this work captures two severed sunflower heads resting against a textured, cerulean blue background. Unlike the later, more famous series produced in Arles, this composition focuses on the botanical decay and the physical weight of the flowers. Van Gogh employs thick, impasto brushwork to define the petals and the central seed heads, creating a tactile surface that draws the eye across the canvas. The colour palette relies on the contrast between the golden ochre of the sunflowers and the cool, swirling blues of the background. This juxtaposition creates a sense of tension within the frame. The flowers are depicted in a state of wilting, with petals curling and drying, which reflects the artist's interest in the cycle of nature and the passage of time. The composition is tight, forcing the viewer to confront the subject matter directly without the distraction of a vase or table surface. Van Gogh signed the work in the lower left corner, a practice he adopted during his time in Paris. The application of paint is deliberate, with individual strokes visible and directional, guiding the viewer's gaze across the organic forms. This piece provides a clear view into his technical development during his transition from the darker tones of his early Dutch period to the brighter, more expressive palette he would later refine in the south of France. It remains a study of form, texture, and the emotional resonance of simple, everyday objects.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Two Cut Sunflowers - Vincent van Gogh
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Vincent van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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