Vase with Red and White Carnations on a Yellow Background - Vincent van Gogh
Archival giclée
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Description
A study in colour contrast, this still life by Vincent van Gogh features red and white carnations set against a warm, golden-yellow background.
Painted during his stay in Paris, this still life demonstrates the artist's experimentation with colour theory and brushwork. The composition features a dark, earthen vase holding a collection of carnations, which lean heavily to the left. The contrast between the cool, dark tones of the vessel and the warm, golden-yellow background creates a distinct visual tension. Van Gogh applied the paint with visible, directional strokes, a technique that provides the surface with a tactile quality. The red carnations are rendered with thick, impasto applications, while the white flowers appear more delicate and sparse. This work reflects the influence of the Parisian art scene, where the artist encountered the lighter palettes of the Impressionists and the structured arrangements of Japanese prints. Rather than seeking a photographic representation, the artist prioritised the emotional resonance of the colour palette. The yellow background is not a flat surface but a field of varied ochre and gold tones, applied with rhythmic, short marks that guide the eye across the canvas. The arrangement of the flowers, with their drooping stems and buds, suggests a fleeting moment captured in the studio. This piece remains a clear example of the artist's transition from his earlier, darker Dutch period toward the more experimental use of colour that defined his later work in the south of France.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Vase with Red and White Carnations on a Yellow Background - Vincent van Gogh
Our Features
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Vincent van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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