A geometric screenprint by Max Bill, featuring four identical groups of coloured stripes arranged around a central white square in a diamond format.

Max Bill, a central figure in the development of Concrete Art, produced this work as an exploration of mathematical precision and colour theory. The composition is structured around a diamond orientation, which disrupts the traditional square frame and forces the viewer to engage with the work as a distinct object rather than a window into a scene. Four identical groups of coloured stripes are arranged symmetrically around a central white square. Each group consists of a repeating sequence of red, blue, yellow, and turquoise bands. By using these specific hues, Bill creates a rhythmic visual experience where the eye is drawn from the perimeter towards the void at the centre. The white space is not merely a background, but an active component of the geometric arrangement. Bill studied at the Bauhaus in Dessau, where he absorbed the principles of functional design and objective aesthetics. His work often avoids personal expression in favour of universal, logical structures. This print demonstrates his interest in the relationship between colour and form, where the interaction of the stripes creates a sense of balance and order. The clarity of the lines and the deliberate placement of the colours reflect his belief that art should be based on clear, verifiable principles. This piece is an example of the artist's later period, where he refined his approach to serial art. The repetition of the colour groups provides a sense of stability, while the diamond shape adds a dynamic quality to the overall presentation. It is a work that rewards careful observation of how colour relationships function within a strictly defined spatial system.