View of Arles with Trees in Blossom - Vincent van Gogh
Archival giclée
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Description
A classic Post-Impressionist study of spring in Arles, featuring blossoming trees and a lush meadow, painted by Vincent van Gogh in 1889.
Painted in 1889, this work captures the arrival of spring in the south of France. Vincent van Gogh produced this piece during his time in Arles, a period marked by his fascination with the seasonal transformation of the local orchards. The composition features a foreground of lush green grass, dotted with small yellow flowers, which leads the eye toward the blossoming trees. These trees, rendered with thick, expressive brushstrokes, dominate the upper portion of the frame. Their branches reach across the sky, creating a rhythmic pattern against the pale, cool-toned background. In the distance, the architecture of Arles is visible, with terracotta roofs and a church tower providing a sense of place. The artist employs a palette that balances the cool greens of the meadow with the warmer, earthy tones of the tree trunks and the soft whites of the blossoms. The sky is painted with short, directional strokes that suggest movement and atmospheric conditions. This work reflects the artist's interest in Japanese woodblock prints, particularly in the way the foreground is flattened and the branches are used to frame the view. The application of paint is heavy, creating a tactile surface that conveys the energy of the scene. By focusing on the cycle of nature, the artist captures a specific moment in the Provençal spring, translating his observations into a structured, visual arrangement of colour and form.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
View of Arles with Trees in Blossom - Vincent van Gogh
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Vincent van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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