A 1921 drypoint etching by Max Beckmann depicting circus performers in a cramped dressing room. Part of the Der Jahrmarkt portfolio, it uses sharp, angular lines to explore themes of performance.

Max Beckmann produced this drypoint in 1921 as part of his portfolio titled Der Jahrmarkt (The Annual Fair). The series contains ten prints depicting scenes from a travelling circus or carnival. This specific plate, titled Garderobe or Wardrobe, shows two performers preparing for a show in a cramped dressing room. The composition is typical of Beckmann's post-war style. He uses sharp, angular lines to create a sense of physical and psychological pressure. A woman sits with her back to the viewer, wearing a corset and a decorative crown. She gazes into a mirror that reflects her profile. Beside her, a man applies makeup to his face. His features are distorted and heavy, rendered with thick burr from the drypoint needle. Beckmann often used the circus as a metaphor for the human condition. He viewed the world as a stage where individuals perform roles, often masking their true selves. The tight framing of the figures suggests a lack of privacy and a feeling of entrapment. The space is shallow, with the furniture and figures pushed toward the front of the picture plane. This print demonstrates the technical characteristics of drypoint. The artist scratched directly into the metal plate, creating rough edges that hold more ink. This results in the velvety, blurred black lines seen in the man's hair and the shadows of the room. The contrast between the stark white paper and the dense black ink emphasises the harsh atmosphere of the scene.