A satirical etching by Thomas Rowlandson depicting two figures moved to tears by a sentimental ballad, rendered with characteristic fluid lines and hand-applied colour.

This etching, titled Weeping, is a characteristic example of the collaborative work between the artist George Moutard Woodward and the printmaker Thomas Rowlandson. Published during the late Georgian period, the work forms part of a series exploring human expressions and emotional states through caricature. The print depicts two figures: a man with a ruddy, tear-streaked face and a woman holding a handkerchief while reading a ballad. Rowlandson employs his signature fluid line work to define the exaggerated features of the subjects. The etching is finished with delicate hand-applied watercolour washes, a common practice for popular prints of the era. The composition is straightforward, focusing on the facial expressions and the physical manifestation of sentimentality. Below the image, an engraved caption provides a satirical commentary on the nature of emotion, noting that the man's hardened features are moved not by genuine hardship, but by the fictional sorrows found within a village love ballad. This piece reflects the period's fascination with physiognomy and the public appetite for social commentary. Rowlandson, a prolific draughtsman, was well-regarded for his ability to capture the absurdity of everyday life. His collaboration with Woodward allowed for a distinct division of labour, where Woodward provided the initial design and Rowlandson executed the etching. The result is a work that balances technical precision with a light-hearted, observational humour. The print serves as a record of the visual culture of the early nineteenth century, where such satirical works were widely circulated and enjoyed for their wit and social observation. The use of soft, muted tones in the colouring ensures that the focus remains on the expressive lines and the humorous narrative presented by the figures.