A graphite sketch by Adolf le Comte depicting workmen resting at the Rotterdam docks, capturing the industrial atmosphere of the city.

This graphite sketch by Adolf le Comte captures a quiet moment of labour at the Rotterdam docks. The composition focuses on a group of workmen resting upon crates, their postures suggesting the physical demands of their daily tasks. In the background, the hull of a large vessel provides a structural anchor, its simple lines contrasting with the more detailed figures in the foreground. Le Comte employs a direct, economical drawing style, using quick strokes to define the forms of the men and the surrounding industrial environment.

As a Dutch artist active during the late nineteenth and early twentieth centuries, le Comte often turned his attention to the urban and industrial development of his home country. His work frequently documents the changing face of Rotterdam, a city defined by its maritime activity. This sketch avoids unnecessary detail, prioritising the capture of movement and atmosphere over precise anatomical rendering. The artist uses the medium of graphite to explore light and shadow, creating a sense of depth despite the sketch-like quality of the execution. The presence of the ship in the background serves to contextualise the figures, placing them firmly within the busy, functional space of the port. This piece offers a glimpse into the observational practices of the artist, who often recorded the mundane aspects of city life with a steady, objective eye. The work is signed by the artist in the lower right corner, accompanied by a location note, which confirms its origin in the port city. It remains a clear example of the documentary approach common among artists of the period who sought to record the reality of working-class life without romanticisation.