A refined stipple engraving by Francesco Bartolozzi, depicting the British statesman William Pitt the Younger in a formal oval portrait.

This stipple engraving depicts William Pitt the Younger, the British statesman who served as Prime Minister during the late eighteenth century. The work is based on a portrait by the American-born painter John Singleton Copley. Francesco Bartolozzi, an Italian engraver who spent much of his career in London, was a master of the stipple technique. This method involves creating tonal variations through small dots rather than continuous lines, allowing for a soft, painterly quality that mimics the appearance of chalk drawings.

The composition presents Pitt in a classic oval format, a common convention for eighteenth-century portraiture. He is shown in profile, wearing the formal attire of his station, including a cravat and a tailored coat. The delicate application of dots creates subtle gradations of shadow across his face and clothing, providing a sense of volume and texture. The inscription below the portrait identifies the subject as the First Lord Commissioner of His Majesty's Treasury, reflecting his political status at the time of the print's publication in 1789.

Bartolozzi was instrumental in popularising stipple engraving in Britain, and his technical precision made him a favoured collaborator for many contemporary painters. This print demonstrates his ability to translate the nuances of oil painting into a monochromatic medium. The clean, restrained aesthetic is characteristic of the period, focusing on the likeness of the sitter while maintaining a balanced, formal presentation. The work remains a clear example of the high standards of reproductive printmaking in Georgian London, where such portraits were widely circulated to document the figures of the political establishment.