A 1938 oil painting by Pablo Picasso, featuring a woman holding a cockerel, rendered in the artist's signature fragmented, expressive style.

Painted in 1938, Woman with Cockerel belongs to a period in which Pablo Picasso explored the distortion of the human form through a lens of psychological tension. The composition features a seated woman holding a large bird, her anatomy rendered with the characteristic angularity and flattened perspective associated with his later work. The figure occupies a space defined by a tiled floor, yet the lack of traditional depth creates a sense of immediacy and confrontation. Picasso employs a palette dominated by primary blues and reds, set against a pale, neutral background. The woman's features are fragmented: one eye is shown in profile while the other appears frontal, a technique that allows the viewer to observe multiple facets of the subject simultaneously. Her hands are oversized and expressive, gripping the cockerel with a force that suggests a narrative beyond simple domesticity. The bird itself, with its ruffled plumage and wide, startled eye, mirrors the intensity of the woman's gaze. This work reflects the artist's interest in the symbolic weight of animals within human portraiture. The presence of the knife on the floor adds a layer of unease to the scene, hinting at themes of sacrifice or preparation. By stripping away realistic detail, Picasso focuses on the raw emotional state of the subject. The brushwork is direct and unadorned, prioritising the clarity of form over surface texture. This piece offers a clear example of how the artist manipulated classical portrait conventions to communicate internal states of mind. It remains a stark study of human and animal interaction, captured through the unique visual language that defined his mid-career output.