Collection
Berthe Morisot
Explore curated art prints selected for distinctive homes and considered interiors.
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Woman Hanging out the Wash - Berthe Morisot
Print · Framed
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Luncheon in the Countryside - Berthe Morisot
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Two Sisters on a Couch - Berthe Morisot
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Rustende eend (Resting Duck) - Berthe Morisot
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Bomen aan een vijver in het Bois de Boulogne te Parijs - Berthe Morisot
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Young Woman Knitting - Berthe Morisot
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Sewing Near the Window - Berthe Morisot
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Self-Portrait with Julie Manet (The Drawing Lesson) - Berthe Morisot
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Two Geese - Berthe Morisot
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Woman in a Garden - Berthe Morisot
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Portrait of a Girl - Berthe Morisot
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A Woman Reading - Berthe Morisot
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Julie Manet, Reading in a Chaise Lounge - Berthe Morisot
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Young Woman Leaning - Berthe Morisot
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Self-portrait with Daughter Julie - Berthe Morisot
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Julie Manet and Her Nurse - Berthe Morisot
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Boats (Entry of the Midina to the Isle of Wight) - Berthe Morisot
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Wooded Landscape - Berthe Morisot
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Little Girl at Mesnil - Berthe Morisot
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Young Woman Leaning on Her Elbows - Berthe Morisot
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On a Bench - Berthe Morisot
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Young Saint John - Berthe Morisot
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Reading - Berthe Morisot
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Julie Manet with a Budgie - Berthe Morisot
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Artist Biography
Berthe Morisot
Morisot outsold Monet, Renoir, and Sisley at the 1875 Hotel Drouot auction. Her Interior fetched 480 francs, the highest price of the sale. Her death certificate listed her profession as none.
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
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