Collection
Hannah Borger Overbeck
Explore curated art prints selected for distinctive homes and considered interiors.
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Trillium Erectum (1915) - Hannah Borger Overbeck
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Prairie Rose (ca.1915) - Hannah Borger Overbeck
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Dahlias (1915) - Hannah Borger Overbeck
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Marsh Marigold (1915) - Hannah Borger Overbeck
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Prairie Rose (1915) - Hannah Borger Overbeck
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Daisies with Orange Center and Yellow Petals (1915) - Hannah Borger Overbeck
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Cana (1915) - Hannah Borger Overbeck
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Yellow Flower with Border (1915) - Hannah Borger Overbeck
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Yellow Daylily (1915) - Hannah Borger Overbeck
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Vase with Yellow Flowers (1915) - Hannah Borger Overbeck
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White Narcissus with Gray Accents (1915) - Hannah Borger Overbeck
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Touch Me Not (1915) - Hannah Borger Overbeck
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Delphinium (1915) - Hannah Borger Overbeck
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Cattail (1915) - Hannah Borger Overbeck
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Butter and Eggs (1915) - Hannah Borger Overbeck
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Blood Root (1915) - Hannah Borger Overbeck
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Beef Begonia (1915) - Hannah Borger Overbeck
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Amaryllis (1915) - Hannah Borger Overbeck
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Green Geometric (1915) - Hannah Borger Overbeck
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Poet's Narcissus (1915) - Hannah Borger Overbeck
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Sunflowers (1915) - Hannah Borger Overbeck
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Leaf Cup (1915) - Hannah Borger Overbeck
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Red Bud (1915) - Hannah Borger Overbeck
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Iris (1915) - Hannah Borger Overbeck
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Artist Biography
Hannah Borger Overbeck
Hannah Borger Overbeck was a linchpin of the Overbeck Pottery, a family-run studio that helped define the American Arts and Crafts movement. Born in Cambridge City, Indiana, in 1870, Hannah was one of six Overbeck sisters, several of whom contributed their talents to the pottery. While her sisters focused on design and glazes, Hannah excelled in sculpting figurines and decorative elements, bringing a unique sense of whimsy and character to the Overbeck's distinctive style.
Though the Overbeck Pottery never achieved the commercial success of some of its contemporaries, its artistic impact was profound. The sisters prioritised artistic integrity and hand-craftsmanship above all else, creating pieces that were both beautiful and deeply personal. Hannah's contributions, particularly her charming and often humorous figurines, added a layer of narrative and human connection to the pottery's output. Her pieces often depicted everyday life, capturing the spirit of the early 20th century with warmth and wit.
Today, Overbeck Pottery is highly sought after by collectors, and Hannah Borger Overbeck's sculptures are recognised as some of the most delightful and original expressions of the Arts and Crafts aesthetic. Her work serves as a reminder of the power of small-scale, family-run enterprises to create art that is both beautiful and deeply meaningful.
Though the Overbeck Pottery never achieved the commercial success of some of its contemporaries, its artistic impact was profound. The sisters prioritised artistic integrity and hand-craftsmanship above all else, creating pieces that were both beautiful and deeply personal. Hannah's contributions, particularly her charming and often humorous figurines, added a layer of narrative and human connection to the pottery's output. Her pieces often depicted everyday life, capturing the spirit of the early 20th century with warmth and wit.
Today, Overbeck Pottery is highly sought after by collectors, and Hannah Borger Overbeck's sculptures are recognised as some of the most delightful and original expressions of the Arts and Crafts aesthetic. Her work serves as a reminder of the power of small-scale, family-run enterprises to create art that is both beautiful and deeply meaningful.
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