Alexander the Great in Jerusalem - Gerard de Jode
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed sixteenth-century engraving by Gerard de Jode depicting the meeting of Alexander the Great and the High Priest of Jerusalem.
This print depicts the legendary encounter between Alexander the Great and the High Priest of Jerusalem. Gerard de Jode, a prominent cartographer and publisher based in Antwerp, produced this work during the late sixteenth century. The composition follows the conventions of Northern Renaissance printmaking, where historical and biblical narratives were often rendered with a focus on period-appropriate costume and architectural detail.
In the foreground, Alexander stands in a classical pose, wearing armour that reflects the European interpretation of antiquity. He is greeted by the High Priest and his retinue, who kneel in submission. The background features a walled city with domed structures, suggesting a sixteenth-century European conception of Jerusalem. The artist employs a dense system of cross-hatching to define the forms of the figures, the musculature of the horses, and the textures of the garments. The use of line is precise, typical of the professional engraving workshops in the Low Countries during this period.
The scene is framed by a sense of order and hierarchy. The soldiers on horseback provide a sense of scale and movement, contrasting with the static, reverent posture of the religious figures. The Latin inscription at the base, 'Episcopus introducit Alexandrum magnum in Ierusalem, sacrificiumque peragit in templo', clarifies the narrative intent, identifying the moment the High Priest leads the conqueror into the city to offer sacrifice. This print serves as an example of the widespread interest in classical history and its integration into the visual culture of the Renaissance. The work demonstrates the technical proficiency of the period, where the engraver balanced complex multi-figure arrangements with clear narrative legibility. It remains a representative piece of the print culture that circulated across Europe, disseminating historical and moral narratives to a broad audience.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Alexander the Great in Jerusalem - Gerard de Jode
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

