Annunciation to the Shepherds - Johann Sadeler I
Archival giclée
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Description
A detailed 1587 engraving by Johann Sadeler I, depicting a celestial choir of angels appearing to shepherds in a dramatic display of light and shadow.
This engraving by Johann Sadeler I, dated 1587, depicts the biblical scene of the Annunciation to the Shepherds. The composition is divided into two distinct registers. The upper portion features a celestial choir of angels arranged in a semi-circular formation, each holding sheets of musical notation. Their figures are rendered with the elongated proportions and fluid drapery characteristic of the Northern Mannerist style. A central, smaller angel descends from a radiant light source, acting as the messenger to the figures below.
The lower register shows the shepherds in a darkened, earthly setting. They react with gestures of surprise and awe, shielding their eyes from the divine light emanating from above. The contrast between the illuminated heavenly realm and the shadowed landscape creates a dramatic visual tension. The engraving technique allows for fine detail in the textures of the clouds, the folds of the garments, and the musical scores held by the angels.
Johann Sadeler I was a prominent member of the Sadeler family of engravers, known for their technical precision and their role in disseminating works by contemporary painters across Europe. This print demonstrates the high level of craftsmanship associated with his workshop. The inclusion of a lengthy Latin inscription at the base provides a formal dedication, typical of the period's print culture, where such works were often commissioned for patrons or as commemorative items. The work reflects the period's interest in combining complex theological narratives with sophisticated graphic techniques. The precise lines and cross-hatching define the forms, providing a sense of volume and depth despite the two-dimensional nature of the medium. This piece offers a clear example of late sixteenth-century printmaking, where religious themes were explored through a lens of technical virtuosity and stylistic refinement.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Annunciation to the Shepherds - Johann Sadeler I
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