Arachne Is Transformed into a Spider - Johann Wilhelm Baur
Archival giclée
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Description
A detailed seventeenth-century etching by Johann Wilhelm Baur, capturing the mythological transformation of Arachne as described in Ovid's Metamorphoses.
This etching by Johann Wilhelm Baur depicts the climactic moment from Ovid's Metamorphoses, where the mortal weaver Arachne undergoes her divine punishment. Baur, a German artist active during the early seventeenth century, demonstrates his command of the etching medium through precise, rhythmic line work that defines both the architectural setting and the dramatic action of the scene.
The composition is divided between the seated figure of Minerva, who occupies the left side of the frame, and the levitating, transforming form of Arachne on the right. Baur employs a sophisticated use of cross-hatching to suggest the textures of the stone floor, the heavy drapery of the table, and the reflective surface of the shield leaning against the loom. The light source, emanating from the divine presence of the goddess, creates a sense of theatre, casting long shadows across the interior space.
Baur was known for his small-scale, highly detailed works, often produced for book illustrations. His ability to condense complex mythological narratives into a single, legible frame is evident here. The architectural elements, such as the classical columns and the window overlooking a distant, sparse garden, provide a grounded reality that contrasts with the supernatural event occurring within the room. The inclusion of the shield, bearing a distinct face, adds a layer of symbolic weight to the encounter between the mortal and the divine. This print offers a clear view into the technical standards of seventeenth-century printmaking, where the artist relied on the density and direction of lines to convey volume, atmosphere, and narrative tension without the use of colour.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Arachne Is Transformed into a Spider - Johann Wilhelm Baur
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