Biblis Changing into a Fountain, from Ovid's Metamorphosis - Bernard Picart
Archival giclée
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Description
A detailed etching by Bernard Picart depicting the mythological transformation of Biblis into a fountain, rendered with classical precision.
This etching by Bernard Picart depicts the tragic transformation of Biblis, a figure from Ovid's Metamorphoses. The narrative follows Biblis as she succumbs to grief, eventually melting into a spring of water. Picart employs a refined etching technique, using varied line weights to define the figures and the surrounding woodland. The composition is balanced, with the central figures of Biblis and the personified river deity arranged in a classical manner. A small putto hovers in the upper right, adding a sense of movement to the scene. The background features a soft, atmospheric treatment of trees and distant hills, typical of the period's approach to classical storytelling.
Picart was a highly skilled engraver and illustrator, known for his ability to translate complex literary themes into visual form. His work often appeared in large-scale publications, where he collaborated with other artists to produce series based on classical mythology. This particular print demonstrates his command over light and shadow, using cross-hatching to create depth within the foliage and the figures' drapery. The scene captures the moment of metamorphosis, where the human form begins to dissolve into the natural environment. The inclusion of the river god provides context to the transformation, grounding the mythological event in a physical setting. The print reflects the eighteenth-century interest in classical literature and the desire to document these ancient tales through precise, technical artistry. The paper shows signs of age, which adds to the historical character of the piece, making it a fine example of early eighteenth-century printmaking.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Biblis Changing into a Fountain, from Ovid's Metamorphosis - Bernard Picart
Artist Biography
Bernard Picart
His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.
Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.
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