Christ and the Apostles on the Road to Emmaus, with Birds and Monkeys - Adriaen Collaert
Archival giclée
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Description
A detailed Flemish engraving depicting the journey to Emmaus, framed by an ornamental border of birds, monkeys, and floral motifs.
This engraving by Adriaen Collaert presents a narrative scene from the New Testament, specifically the journey to Emmaus. The central composition depicts Christ and his companions walking through a rural setting, rendered with the precise line work characteristic of Flemish printmaking during the late sixteenth century. The figures are positioned within a wider view of a village, complete with architectural details and rolling hills, which provides a sense of depth and scale to the biblical event.
What distinguishes this work is the elaborate decorative border that frames the central scene. Collaert incorporates a variety of naturalistic elements, including birds, monkeys, and floral motifs, which are arranged in a symmetrical fashion. This juxtaposition of a solemn religious subject with playful, ornamental creatures reflects the aesthetic interests of the period, where artists often combined devotional themes with the study of natural history. The border functions as a secondary layer of visual information, drawing the eye around the central narrative while maintaining a balanced, structured appearance.
Adriaen Collaert was a member of a prominent family of engravers and publishers in Antwerp. His work often involved the reproduction of designs by other artists, as well as original compositions that demonstrated his technical proficiency. The clarity of the lines and the controlled use of hatching to create shadow and volume are typical of his output. This print serves as an example of how religious imagery was disseminated through the medium of engraving, allowing for the circulation of complex compositions among collectors and scholars. The inclusion of the publisher's mark at the bottom indicates its origin within the active print trade of Antwerp, a centre for such artistic production during the Renaissance.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Christ and the Apostles on the Road to Emmaus, with Birds and Monkeys - Adriaen Collaert
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