Christ Child Sleeping - Bernard Picart
Archival giclée
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Description
A fine etching by Bernard Picart depicting the Christ Child in repose, based on an original composition by the Italian master Guido Reni.
This print by Bernard Picart depicts the Christ Child in a state of repose. The composition is based on a painting attributed to Guido Reni, a master of the Italian Baroque. Picart, a highly skilled engraver based in Amsterdam, produced this work as part of his efforts to document significant paintings held in private collections across Europe. The etching technique allows for a delicate rendering of the child's form, with cross-hatching used to define the soft contours of the body and the folds of the fabric beneath him.
The figure of the sleeping child is presented with a sense of quietude. A faint, radiating halo surrounds the head, identifying the subject within a religious context. The background is composed of fine, horizontal lines that create a subtle texture, drawing the eye toward the central figure. Picart's precision in line work demonstrates the technical standards of eighteenth-century printmaking, where the goal was to translate the tonal qualities of oil paintings into the monochrome medium of the copperplate.
This print reflects the period's interest in the reproduction of Old Master works. By circulating these images, engravers like Picart allowed a wider audience to engage with compositions that were otherwise inaccessible in private cabinets. The inscription at the base of the print confirms its origin, noting that it was engraved by Picart after a painting by Guido Reni. The work remains a clear example of the collaborative nature of art production during this era, where the engraver acted as both a technician and a mediator of style. The print is presented here as a high-quality reproduction, maintaining the clarity and tonal balance of the original copperplate impression.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Christ Child Sleeping - Bernard Picart
Artist Biography
Bernard Picart
His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.
Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.
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