Christianization of Lithuania A.D. 1387 - Jan Matejko
Archival giclée
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Description
A dramatic historical painting by Jan Matejko depicting the 1387 conversion of Lithuania, rendered with dense detail and theatrical lighting.
Jan Matejko, a central figure in nineteenth-century Polish art, produced this large-scale historical composition in 1889. The work depicts the formal conversion of Lithuania to Christianity, an event initiated by the Union of Krewo and the marriage of Jogaila to Jadwiga of Poland. Matejko organises the scene with a dense arrangement of figures, capturing the tension between the established pagan traditions and the incoming ecclesiastical authority.
The composition is crowded, reflecting the artist's characteristic approach to historical narrative. At the centre, the clergy and nobility oversee the baptismal rites, while the surrounding crowd displays a variety of reactions, from solemnity to resistance. The lighting is dramatic, drawing the eye toward the crucifix and the figures of the royal court. Matejko employs a heavy, textured brushwork that gives the scene a sense of urgency and movement. The palette is dominated by deep earth tones, punctuated by the crimson robes of the nobility and the metallic glint of armour.
This painting is part of a broader series in which Matejko examined the history of Poland and its neighbours. He often included symbolic elements to provide commentary on the political climate of his own time, when Poland was partitioned among neighbouring empires. By focusing on the 1387 event, he draws attention to the cultural and religious shifts that defined the medieval period in Eastern Europe. The work remains a primary example of the Polish historical school, which prioritised national identity and the documentation of past events through a highly detailed, theatrical lens. The scale of the original canvas allows for a multitude of sub-narratives, each contributing to the overall atmosphere of transition and change.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Christianization of Lithuania A.D. 1387 - Jan Matejko
Artist Biography
Jan Matejko
Matejko was born in Krakow in 1838 to a Czech father and a half-German, half-Polish mother. Despite being only one-quarter Polish by blood, his household was fiercely patriotic: Polish books, portraits of Polish heroes, and a brother who followed General Jozef Bem into the Hungarian Revolution of 1848 (and died in battle). He enrolled at the Krakow Academy of Fine Arts at fourteen, studying under Wojciech Stattler. He never mastered a foreign language and struggled even with Polish, which made the public appearances demanded of him throughout his career an ordeal.
His ambition was to paint Polish history on a monumental scale. Stanczyk (1862) showed the royal jester alone with the news of a military defeat, a painting that reads as an editorial cartoon stretched to the size of a wall. Battle of Grunwald (1878) and Rejtan (1866) followed, each canvas an argument about national identity dressed as historical spectacle. Wilhelm von Kaulbach's method of "historical symbolism", which prioritised interpretation over documentary accuracy, shaped Matejko's approach. His brother Franciszek, a historian at the Jagiellonian Library, fed him archival detail.
As director of the Krakow School of Fine Arts, he trained over eighty students. Maurycy Gottlieb, Jacek Malczewski, Jozef Mehoffer and Stanislaw Wyspianski all passed through his studio; several became leading figures in the Young Poland movement, earning Matejko the title "Father of Young Poland". In 1887 he attended the opening of Queen Jadwiga's sarcophagus to sketch her skull for a portrait. He died in 1893, aged fifty-five.
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