Dancing Peasants - Albrecht Dürer
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed 1514 engraving by Albrecht Dürer depicting a pair of peasants in a lively, unrefined dance.
This engraving, dated 1514, depicts a pair of peasants caught in a vigorous, unrefined dance. The figures are rendered with the technical precision characteristic of Albrecht Dürer, who was a master of the burin. The man, positioned behind the woman, holds her hand aloft while his other arm is extended, creating a sense of kinetic energy. The woman, wearing a heavy apron and head covering, looks directly toward the viewer with a stoic expression. Her posture is slightly hunched, reflecting the physical toll of rural labour.
Dürer employs fine, controlled lines to define the folds of their garments and the textures of their clothing. The shading is achieved through dense cross-hatching, which provides volume to the figures against the plain background. The date 1514 and Dürer's monogram appear at the top, while the letters AE 12 are visible in the lower right corner. This work belongs to a tradition of depicting peasant life in Northern European art, often focusing on the perceived lack of decorum among the lower classes. The composition is compact, focusing entirely on the interaction between the two dancers. The lack of a detailed setting forces the viewer to concentrate on the physical gestures and the heavy, grounded nature of the subjects. Dürer's ability to capture the weight and movement of the figures demonstrates his deep understanding of human anatomy and his capacity to translate observation into a highly disciplined graphic medium. This print remains a clear example of the artist's skill in small-scale narrative work.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Dancing Peasants - Albrecht Dürer
Artist Biography
Albrecht Durer
He was born in Nuremberg, the son of a Hungarian goldsmith. He trained as a goldsmith himself before apprenticing with the painter and printmaker Michael Wolgemut. The metalwork training gave him the manual precision that made his prints extraordinary. Melencolia I, Knight, Death and the Devil, and Saint Jerome in His Study, all made between 1513 and 1514, are among the finest engravings ever produced. The density of cross-hatching, the control of tonal gradation, the rendering of fur, feathers, and stone: these are virtuoso performances in a medium that most artists treated as reproductive.
He drew a rhinoceros from a description and a sketch sent by letter. He had never seen one. Dürer's Rhinoceros (1515) is anatomically wrong in several respects (the animal has an extra horn and armour plating) but it remained the standard European image of a rhinoceros for three centuries.
He was one of the first artists to paint self-portraits as a primary subject. The Self-Portrait at Twenty-Eight (1500) shows him facing the viewer directly, with long hair and a fur coat, in a pose traditionally reserved for Christ. It was either an act of supreme confidence or deliberate blasphemy. Probably both.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like