De vermaarde schoenmaaker - Cornelis Dusart
Archival giclée
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Description
A detailed seventeenth-century Dutch etching by Cornelis Dusart depicting the lively and cluttered interior of a shoemaker's workshop.
Cornelis Dusart, a pupil of Adriaen van Ostade, produced this etching during the late seventeenth century. The work captures a chaotic scene within a shoemaker's workshop, a common subject for Dutch genre artists who sought to document the daily lives of the working class. Dusart employs a dense, cross-hatched technique to define the cluttered interior, where tools, leather scraps, and finished footwear occupy every available surface.
The composition features a central female figure gesturing towards a man perched on a ladder, while another individual kneels to attend to a customer's foot. The humour is characteristic of the period, often leaning into the grotesque or the satirical to portray the rustic nature of the trade. The artist's signature, 'Corn. Dusart fecit et invent', is visible on a piece of parchment on the floor, confirming his role as both designer and engraver of the plate. The etching demonstrates the technical precision required to render the varied textures of wood, fabric, and leather through line work alone.
This print offers a glimpse into the social dynamics of a Dutch workshop. The figures are rendered with expressive, somewhat exaggerated features, typical of Dusart's approach to characterisation. The lighting is managed through the concentration of lines, creating a sense of depth within the cramped space. As a piece of social history, it records the tools and attire of the era, providing a visual account of seventeenth-century craftsmanship. The work is a fine example of the Dutch tradition of printmaking, which prioritised the observation of ordinary life over the idealised subjects favoured by other European schools of the time. It remains a study in the application of etching to narrative scenes, balancing technical control with a lively, anecdotal quality.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
De vermaarde schoenmaaker - Cornelis Dusart
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