Diana and Endymion - Augustin de Saint-Aubin
Archival giclée
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Description
A fine eighteenth-century etching by Augustin de Saint-Aubin, after a design by François Boucher, depicting the mythological encounter between Diana and Endymion.
This fine etching and engraving by Augustin de Saint-Aubin depicts the classical myth of Diana and Endymion. The composition derives from an original design by François Boucher, a master of the French Rococo style. Saint-Aubin, a skilled printmaker, translates Boucher's painterly approach into the precise, linear language of the burin and needle. The scene captures the goddess Diana descending from the heavens to visit the sleeping shepherd Endymion.
Visual elements include the soft, cloud-like forms surrounding the figures, which contrast with the sharp, rhythmic lines defining the drapery and the surrounding floral border. The frame itself is a decorative element, featuring swags of roses and ribbons that enclose the mythological narrative. The figures exhibit the graceful, elongated proportions typical of mid-eighteenth-century French art. Diana is shown in a state of gentle motion, while Endymion rests in a pose of classical repose, accompanied by his hunting gear.
This work was produced as an illustration for an edition of Ovid's Metamorphoses. The print demonstrates the collaborative nature of eighteenth-century book production, where painters provided the invention and engravers executed the final plate. Saint-Aubin's technique allows for a range of tonal values, from the deep shadows in the lower foreground to the lighter, atmospheric treatment of the sky. The inclusion of putti and the celestial chariot adds to the theatrical quality of the scene. This print offers a clear view into the aesthetic preferences of the period, where classical themes were interpreted through a lens of decorative elegance and technical refinement. The attention to detail in the floral border provides a structured contrast to the fluid, dynamic arrangement of the central mythological figures.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Diana and Endymion - Augustin de Saint-Aubin
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