Esther before Ahasuerus - Frans Crabbe van Espleghem
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed sixteenth-century engraving by Frans Crabbe van Espleghem depicting the biblical encounter between Queen Esther and King Ahasuerus.
This engraving by the Flemish master Frans Crabbe van Espleghem depicts the biblical narrative of Queen Esther approaching King Ahasuerus. The scene captures the moment Esther enters the royal court to plead for her people, an act of great personal risk. Ahasuerus, seated upon a throne under a canopy, extends his sceptre towards her, a gesture signifying his acceptance and the sparing of her life.
Crabbe van Espleghem, active in Mechelen during the early sixteenth century, demonstrates a technical command of the burin. The composition is structured with a clear architectural backdrop, featuring rounded arches and stone masonry that frame the figures. The artist employs fine, parallel hatching to define the folds of the heavy garments and the textures of the royal robes. The figures are rendered with the characteristic elongated proportions and expressive facial features common to the Northern Renaissance style of the period.
Esther is positioned in the foreground, her posture conveying a mixture of humility and resolve. Her voluminous gown, with its elaborate sleeves and train, occupies a significant portion of the lower register, drawing the viewer's eye towards the interaction between the two central figures. Behind Esther, a group of attendants observes the encounter, their faces partially obscured, which adds a sense of depth and scale to the courtly setting. The king, depicted with a full beard and ornate crown, occupies the right side of the frame, his presence balanced by the architectural elements on the left. This work reflects the period's interest in classical architecture combined with biblical themes, a common pursuit among printmakers in the Low Countries during the early sixteenth century. The print remains a fine example of the narrative clarity and graphic precision achieved by Flemish engravers of the era.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Esther before Ahasuerus - Frans Crabbe van Espleghem
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like