Franse troepen trekken Breda binnen, 1793 - Joannes Bemme
Archival giclée
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Description
A detailed historical etching by Joannes Bemme depicting the arrival of French troops in Breda in 1793.
This etching by Joannes Bemme documents the arrival of French revolutionary forces in the Dutch city of Breda in 1793. The work captures a specific moment of political transition during the French Revolutionary Wars, providing a visual record of the military presence and the local reaction within a Dutch urban setting. Bemme, a Dutch engraver and draughtsman, focuses on the interaction between the uniformed soldiers and the townspeople gathered in the square.
The composition is structured around the architectural features of the city, with traditional Dutch gabled houses and a gatehouse framing the scene. The soldiers are depicted in their contemporary uniforms, while the civilians appear in period-appropriate attire. The artist employs a precise, linear technique characteristic of late eighteenth-century printmaking, using cross-hatching to define the textures of the brickwork, the roof tiles, and the clothing of the figures. The perspective is relatively flat, allowing for a clear view of the crowd and the surrounding buildings, which serves to document the scale of the event rather than to create an illusion of deep space.
As a historical document, the print provides insight into the visual culture of the Netherlands at the end of the eighteenth century. It records the physical appearance of the city and the presence of foreign troops during a period of significant geopolitical instability. The work is devoid of overt artistic embellishment, favouring a descriptive approach that prioritises clarity and accuracy. This print is a valuable resource for those interested in the history of the Low Countries and the impact of the French Revolution on neighbouring territories. The attention to detail in the architecture and the varied postures of the individuals in the square offers a glimpse into the daily life of a city under occupation.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Franse troepen trekken Breda binnen, 1793 - Joannes Bemme
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