Kanagawa, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Archival giclée
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Description
A woodblock print by Katsushika Hokusai showing travellers resting at a coastal inn in Kanagawa, captured with the characteristic detail of the Ukiyo-e tradition.
This woodblock print by Katsushika Hokusai depicts a quiet scene at a coastal inn in Kanagawa. The composition focuses on a group of travellers resting within a room, their attention directed towards the sea visible through an open wall. The interior is rendered with clean lines, showing the tatami mats, sliding screens, and simple meal service that defined the experience of the Tokaido road. Hokusai uses a balanced arrangement to separate the domestic interior from the expansive view of the water, where small boats are visible in the distance.
Unlike the later, more famous series of the Tokaido by Utagawa Hiroshige, Hokusai's approach to this subject often incorporates elements of daily life and human interaction alongside the geography of the route. The figures are dressed in traditional kimono, their postures relaxed as they pause during their journey. The print employs a muted colour palette, typical of the period, with soft washes of yellow, blue, and red providing subtle definition to the clothing and architectural elements. The use of stylized clouds, a common convention in Japanese printmaking, frames the scene and adds a sense of atmosphere to the coastal setting.
Katsushika Hokusai was a prolific artist whose career spanned several decades. His work in the Ukiyo-e tradition captured various aspects of Japanese society, from the lives of commoners to the dramatic features of the natural world. This particular print offers a glimpse into the travel culture of the Edo period, documenting the rest stops that connected the major cities of Japan. The clarity of the line work and the deliberate composition reflect the technical skill required for the woodblock printing process, where each colour was applied using a separate carved block. This piece remains a representative example of Hokusai's ability to document the mundane details of travel with precision and artistic restraint.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kanagawa, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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